View SQUARE WORD CALLIGRAPHY (SPRING DAWN) By Xu Bing; Ink on paper; . 16 1/4 x 10 3/4 in. Xu Bing has been undertaking his Book from the Ground project since 2003. He also added a textbook, an instructional video, and a practice sheet just like those used in classroom settings. At first glance it appears to be Chinese Characters, but in fact it is a new way of rendering in English. Are you an author? 1 000 000 — 1 500 000. Thereby into the Western cultural sphere was written a brand new, Eastern art form. 2011. Just before the event took place there was some concern that, once confronted with the unfamiliar cultural environment of the exhibition hall, the pigs would become too nervous to perform the crucial act. SQUARE WORD CALLIGRAPHY: DYLAN THOMAS, DO NOT GO GENTLE INTO THAT GOOD NIGHT. The entire mark-making process is then transferred onto a ten-meter-long stretch of bark paper. Five Series also anticipates his later explorations of visual culture and materiality. This work was created as an extension of an earlier project: A Case Study of Transference. Square Word Calligraphy is a new kind of writing, almost a code, designed by Xu Bing. Book From the Ground: From Point to Point can be purchased from various bookstores and websites. Materials: Woodblock print mounted as a handscroll, ink on paper, "I created this work upon an invitation from Museum of Fine Arts, Boston. It is an expression of Xu Bing’s long-standing vision of a universal language. Xu emblazoned his eye-catching red-and-yellow banner, measuring 36ft x 9ft, with the slogan ''ART FOR THE PEOPLE: Chairman Mao said'' inscribed in his own invented system of ''New English Calligraphy'' -- English words deconstructed but then re-configured into forms that mimic the square structure of Chinese characters. Direction of writing words: left to right in horizontal or vertical lines. There, he began a series of woodblock prints based on the theme Shattered Jade. For the duration of the exhibition, the parrot sat alone in its cage in the exhibition hall and quoted learned phrases, such as: Why are you holding me prisoner, you bastards! 2012. The intention of this installation is to simulate a classroom-like setting modeled on adult literacy classes, in a gallery or museum space. With no human agency operating them, surveillance cameras produce fascinating footage round the clock. Medium: Mixed media installation/ hand-printed books and scrolls printed from blocks inscribed with ''false'' characters. A life-sized mannequin in human form, covered in false-character tattoos, was placed inside an enclosure containing a male pig, similarly tattooed. That the work was born “in-transit” gives it an extra layer of meaning: “Those American printers were shocked by the piece’s size,” Xu noted. Xu Bing is an artist I have been admiring for years. The intention was both to observe the reaction of the pig towards the mannequin and to produce an absurd and random drama -- an intention that was realized when the pig reacted to the mannequin in an aggressively sexual manner. The Metropolitan Museum of Art. Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser. As long as one lives within the contemporary society, he or she will be able to interpret the book. This is the way things have been done over thousands of years in the Chinese history, so this must have had some influence on the formation of the character of Chinese people. The Foolish Old Man Who Tried to Remove ... Square  Word  Calligraphy:  Three  Indonesian  Proverbs, Square  Word  Calligraphy:  El  bon  poble, An  introduction  to  Square  Word  Calligraphy. A special gift from the China Institute Gallery. I am captured by his Square Word Calligraphy , his Book from the Ground , his Phoenix and of course his jaw-dropping Book from the Sky . Users can enter words either in English or in Chinese, and the program will translate them into Xu Bing's lexicon of signs. 30,000 — 40,000 When Xu Bing began his graduate studies, he became interested in printmaking as an indirect form of drawing, as well as the element of repetition that characterizes the medium. Oct 24, 2005. The intention was both to observe the reaction of the pig towards the mannequin and to produce an absurd and random drama -- an intention that was realized when the pig reacted to the mannequin in an aggressively sexual manner. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' 13(H) x 14(W) m each. Through the medium of widescreen animation, The Character of Characters describes the source of the unique character of Chinese people. Happiness measures 36.9 x 69.2 cm. The entire process was documented and the resulting photographs were exhibited several years after the event, in 1998. The meticulous, exhaustive production process and the work’s format, arrayed like ancient Chinese classics, were such that audiences could not believe that these exquisite texts were completely illegible. Join MutualArt to unlock sale information JOIN MUTUALART. He begins by printing an uncut block of wood, making a sequence of prints as he carves until the image is entirely effaced. This progression, from nothing to something to nothing again, anticipates the artist’s desire, stated later in his career, to “make something useless”—to push the medium of woodcutting, and the “usefulness” of figurative arts, into new territory. See search results for this author. Sometimes they record images that are beyond logical understanding, captured in one mad, fleeting instant. XU BING (B. (14 ½ x 27 ¼ in.) From Eslite Gallery, Xu Bing 徐冰, Square Word Calligraphy: An Ascent (a poem by DU Fu) (2012), Ink on Paper, 138 × 68 cm A video titled ''Elementary Square Word Calligraphy Instruction,' is played on a monitor in the exhibition space, capturing the audiences' attention and inviting them to participate in the class. The overall work spells out the first section of “Crossing Brooklyn Ferry,” reflecting Xu Bing’s experience living between two cultures while in … September 7–October 22, 2011 In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. In the early 1990s, Xu began to develop a system for writing English called “square word calligraphy,” which organizes the letters of each English word into structures that resemble Chinese characters. (124 × 227 cm). In 1977, Xu Bing passed his entrance exams to enroll in the Printmaking Department of the Central Academy of Fine Arts. Chinese viewers expect to be able to read it but cannot. In 1994, in addition to his collaboration with Ai Weiwei, Xu began to explore the fluidity of writing systems through his recreation of English words in the style of Chinese characters, on ongoing project titled Square Word Calligraphy. Are you an author? China has long had a tradition that “calligraphy and painting have the same origins.” Xu Bing’s Landscript, landscape-in-script, transformed the visual images of landscapes to linguistic forms, inviting the viewer to reassess the particularity of Chinese culture hidden in landscape paintings and providing a unique way to “read a scene.”, Location: Museum of Modern Art, New York, 1999; Victoria and Albert Musum, London, 2001. From Eslite Gallery, Xu Bing 徐冰, Square Word Calligraphy: An Ascent (a poem by DU Fu) (2012), Ink on Paper, 138 × 68 cm '', Medium: media/found oil paintings, falsified magazine article. Through The Mustard Seed Garden Landscape Scroll, I attempt to investigate and reveal the relation between the Chinese way of thinking and the semiotic and schematized nature of Chinese culture.". It is the artist's belief that people must have their routine thinking attacked in this way. (124 × 227 cm). Square Word Calligraphy: Crossing Brooklyn Ferry, Walt Whitman, 2018.Ink on paper, a (mounted): 48 13/16 × 89 3/8 in. As people attempt to recognize and write these words, some of the thinking patterns that have been ingrained in them since they learned to read are challenged. Medium: Performance, mixed media installation / Ink and live pigs, When this work was initially performed in Beijing, it revealed an unexpected and surprising dynamic between the spectators and the spectacle. When it comes to calligraphy puzzles, few have Xu Bing’s creativity beat. Happiness measures 36.9 x 69.2 cm. This animation seeks to reveal the relation between Chinese writing and cultural characteristics, the core and energy of Chinese culture, and its advantages and disadvantages for people to continue to build new modes of human civilization. In 1620 Hui Su created a grid of 841 characters that can be read in any number of directions and combinations. 1955) Square Word Calligraphy – Long Life and Happiness A pair of scrolls, mounted and framed Ink on paper Long Life measures 23.5 x 66.9 cm. It was rather the audience members who found themselves in an embarrassing and awkward position. For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. On this street, the artist salvaged a group of non-representational oil paintings from the garbage, providing the catalyst for this conceptual piece. To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues. A code of calligraphic script elements maps to the 26 Roman letters and a relatively simple set of rules for the composition of square words allow one to write English using Chinese calligraphic principles. Body Outside of Body; Lost Letters ; Brailliterate ; A, B, C... Monkeys … Square Word Calligraphy is a new kind of writing, almost a code, designed by Xu Bing. Xu Bing states: ''These two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization, engage in the most primal form of 'social intercourse.' Vendu 1,375,000 HKD (Prix d’adjudication avec commission acheteur) ACCÉDER … The dust was applied to the floor with a leaf blower and allowed 24 hours to settle. At first glance it appears to be Chinese characters, but in fact it is a new way of rendering English. Solo. For Square Word Calligraphy, Xu Bing designs a calligraphic system in which English words come to resemble Chinese characters. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, … This work was created as an extension of an earlier project: A Case Study of Transference. The colorful, shimmering imagery of the installation imparts a magical, fairy-tale like quality. "In his more recent work, «Square Word Calligraphy», Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. It thus serves as an intermediary form of communication and exchange between the two languages. I believe that a core characteristic of Chinese painting is its schematized nature, which is reflected in classic literature, theatrical expression, and various methods of social production. To most westerns, Chinese language is usually regarded as “exotic” because of its complexity and its totally different shape against western letters. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007.New York. In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. Although the rectangular units of writing resemble Chinese characters, each one is actually a word in English. As personal computer and the internet become increasingly integrated into daily life, the lexicon of digital icons grows accordingly, and the symbolic language of Book from the Ground has been further updated, augmented, and complicated. In this fashion, Xu Bing selected passages from four significant faith-based texts (one Buddhist, one Gnostic, one Jewish, and one passage from Marx, all in English translation), which he then transcribed as Square Word Calligraphy, and then synthesized into one text. The Art of Rewriting China. Finally the visitor is able to see something that would normally be kept hidden at an exhibtion. After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. Its feasibility is based on the following principles: firstly, utilize free online services such as auction and sales hosting, money transfers, and even online teaching to achieve the lowest possible costs; secondly, benefit everyone involved in the project; thirdly, utilize regional economic discrepancies ($2.50 is a subway ride in New York, but it can plant ten trees in Kenya). For "The Times They are A-Changin" by Bob Dylan, Square Word Calligraphy, Xu utilized a unique script that he calls "Square Word Calligraphy" to present the lyrics to Bob Dylan's revolutionary folk ballad.At first glance, the text appears to be straightforward Chinese; but, in fact, Xu has devised a way to render English words so that they resemble the characteristic square format of Chinese. Xu Bing’s studio also made a character database software that corresponds to the language of the book. In honor of Marie-Helene and Guy Weill for … Each link in the chain is a word for “monkey” in a different language (21 languages in total), including Hindi, Japanese, French, Spanish, Hebrew and English. Estimation. While undergoing this process of estrangement and re-familiarization with one's written language, the audience is reminded that the sensation of distance between other systems of language and one's own is largely self-induced. This fanciful yet instructive tale reminds us that what we strive to achieve may in fact be an illusion. Paper Cover: titled "Square Word" in the artist's unique Square Word Calligraphy script, upper right; printed book in black ink: titled "An Introduction to Square Word Calligraphy By Xu Bing… There is a passageway between the showcases, allowing a view behind the scenes. After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. I would even say he was one of the people who inspired me to face the four-year battle of writing a Ph.D. Solo. Xu Bing. As a piece of conceptual art, Xu Bing … He calls his invention “Square Word Calligraphy.” (Not a fan of fancy cursive? ''Wu'' in Chinese has various meanings, including both ''misunderstanding'' and ''enlightenment'' in the Chan (Zen) sense. Xu Bing is an artist I have been admiring for years. Materials: Performance, mixed media installation / Live parrot. A code of calligraphic script elements maps to the 26 Roman letters and a relatively simple set of rules for the composition of square words allow one to write English using Chinese calligraphic principles. Solo. Thereby into the Western cultural sphere was written a brand new, Eastern art form. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. Viewing the reflection of the moon on a pool of water from their place on the branch of a tree, the monkeys decided to link their arms and tails together to touch what they thought was the real moon. Xu Bing. Once they are seated at the desks, the audience is instructed to take up their brushes and the lesson in New English Calligraphy begins. At the uppermost point of the installation, a flock of these ancient characters, in form of both bird and word, soar high into the rafters toward the upper windows of the space, as though attempting to break free of the words with which humans attempt to categorize and define them. The letters of an English word are slightly altered and arranged in a square word format so that the word takes on the ostensible form of a Chinese character, yet remains legible to the English reader. When the audience goes into the gallery, it is as if he or she enters a study space. See search results for this author. Find all the books, read about the author, and more. Established notions of Chinese and English no longer retain, and perceptual norms are reset, marking the new potentials that challenge the foundation of cognition itself. Later in the same year, he organized his personal views on printmaking and creative insights into an essay entitled “A New Exploration and Reconsideration of Pictorial Multiplicity.” In it, he wrote, “Multiple, prescribed impressions are the crucial element that differentiates printmaking from other fine arts, and it is only by following this line of inquiry that one can seek out printmaking’s essence.” This set of works represents an experiment in the artistic qualities that make prints unique. 1. (14 ½ x 27 ¼ in.) An edition that includes a DVD containing a 5.1 surround sound version of the album was released on 5 June 2012. Landscript, as the title suggests, is “pictures” that Xu Bing intentionally made with “script.”  This project started when the artist went to the Himalayas in Nepal in 1999 and sketched “scenes” with Chinese characters. I would even say he was one of the people who inspired me to face the four-year battle of writing a Ph.D. Ineffably silent, these cameras record incessantly. No VAT will be charged on the hammer price, but VAT at 15% will be added to the … Realized Price +132%. Xu Bing. In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. Essentially, New English Calligraphy is a fusion of written English and written Chinese. The word is ' wiki '. Here is an extract about the writing taken from Xu Bing's official website: 'English letters are arranged in square word format to appear like Chinese characters, yet remain legible to the English speaker. SQUARE WORD CALLIGRAPHY. This animation is conceived as a study and imagination of a calligraphy masterpiece by Zhao Mengfu (1254-1322) in the collection of Yahoo’s founder, Mr. Zhiyuan Yang. The Forest Project is an experiment of creating a self-sustaining system that will move funds from wealthy areas to impoverished areas for planting trees. Xu Bing developed his unique square word calligraphy, that fuses written English words with the square format of Chinese characters. All of these special characteristics could be said to have a deep connection to the Chinese way of writing characters. (9 ¼ x 26 ¼ in.) Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. Xu's intention was to demonstrate his feeling that the critic's opaque interpretation of Lasker's works could just as well be applied to the salvaged works. Xu Bing is interested in reflecting on the problems and weaknesses of humanity by exploring the long and entangled relationship between humans and tobacco. Picture: Simon Song Voices lower as viewers behold Xu Bing’s Book from the Sky (1988). Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. When reading Square Word Calligraphy, such feeling is joyfully resolved with the sudden revelation that the work does contain “real” text. Mar 7, 2017 - New York. His teachings for the new written word are best conveyed in An Introduction to Square Word Calligraphy, which also asserts the spiritual value of practicing calligraphy. Xu Bing developed “square word calligraphy” as a system for writing English in the early 1990s after he came to New York. Bing was inspired by the concept to create artwork using distinctive calligraphy based on his original concept of “Square Word Calligraphy”. Each then takes on the form of an ideogram and symbolises a thought within a word. For this performance art work Xu Bing trained a parrot to communicate certain sentiments to gallery audiences. He later came up with the Square Word Calligraphy system, which renders English words through Chinese brushstrokes. On the gallery floor Chinese characters in the “simplified style” script popularized during the Mao era are used to write out the dictionary definition for niao. In the work, Xu Bing references the fine whitish-grey film that covered downtown New York in the weeks following 9-11, and recreates a field of dust across the gallery floor that is punctuated by the outline of a Zen Buddhist poem, revealed as if the letters have been removed from under the layer: In the work Xu Bing discusses the relationship between the material world and the spiritual world, exploring the complicated circumstances created by different world perspectives. The absolute directness of this undertaking produces a result that is both unthinkable and worth thinking about. There are around 150 pocket-sized works in this set of woodblock prints. This was the last major artwork that the artist started before moving to the United States in 1990, where it was exhibited for the first time. Mouton Rothschild collaborates with Chinese artist Xu Bing created a prayer carpet for the Kwan-Im,... 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